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Saturday, June 1, 2013

The Goose by Catherina Dario

For Papa
  
     “The goose came with the house!”

     This is what Lolo told everyone, every birthday party, Noche Buena, every time Lola invited her friends for a merienda and mah-jong. Even when those big, burly men came to drop off a painting or a new piece of furniture, he would stop, offer them a cigarette or two, and tell them to look out the window, past the patio, beyond the flowerbeds, over the hedge. “Kita mo?” he would puff out a cloud of smoke, nudge their sides and flash a cheeky grin. He would point to the small, white speck floating on a pond. “Iyon ang pangarap ko sa buhay.

    When the photographers and the magazine people would come, he would tell them the same thing. After showing them the mezzanines, the balconies and the sitting rooms, after my siblings and I had posed against the swing set and the settee, he would bring them to the gardens to show them neither the marble sculptures nor the gazebo, not even the swimming pool or the tennis court. He would bring them to the pond, where the goose would be paddling or sometimes sleeping under the mango tree – luckily not when she was noisily asking for sunflower seeds. That would’ve been embarrassing. After all, she had always been Lolo’s charm. She was always clean and poised, with her beady, black eyes looking as polished as dark tourmaline.

   The goose arrived on a warm, August afternoon. We had just come home from Sunday mass when a large pick-up truck pulled over outside our gate. I was only four years old back then, but ever since the house was built early in the year; my memory had sharpened to fit in all the people that I had met. Cousins and titas I had never seen in any of our family reunions, college friends of Mommy and Daddy, even old workers from Lolo’s company – they would always be waiting at the gate, with a copy of Lifestyle Asia or Travel and Living in their arms. “Exequiel,” they would tell Lolo, “I read the feature on your house! It’s been so long!” and would turn to me, cup my cheeks into their hands and trill, “Is this Luisa? Ang laki mo na! Last time I saw you, you were just a baby!” Usually they just came in, ate the turon and biko Mommy made, complimented the marble floors and the chandeliers, admire the family portraits and would be gone forever. That day, I wondered if it was going to be just like that.

    But it was different. Two men came out of the pick-up truck, wearing dirty aprons and oily, black boots. They lifted a crate from the back of the vehicle and placed it down before Lolo’s feet. When they pried it open, Lolo told me to look inside. I could not believe my eyes. Inside, sitting on a pile of straw, was a white, feathery goose. Besides the ones on TV, I had never seen one before. Its beak was as yellow as a banana and its curious black eyes stared right at me. Lolo had the help bring the goose into the gardens. “This is our new pet, Luisa,” he told me, as I followed him into the house. I watched our driver and the gardener place the crate on the grass. The goose ran out almost immediately; its webbed feet almost tripping over the pebbles. It spread its large, white wings and let out a honk. It was the funniest and most amazing thing I had ever seen.

    A week after, Lolo had the pond made. I was there when he told the people “Twelve by twelve!” He had a giant hole dug up under the mango tree, and I watched them fill it up with pipes and a tank. They covered them with soil and rocks and later on, when the gardener came, lush, green plants and bright, pink flowers. A lot of my friends at school had ponds too, with huge orange and red fish swimming inside. “They said it’s for good luck!” I told Lolo, “That those fish bring lots of money.” Lolo simply laughed at this, “Iha, the goose comes with the house. That is all the luck we will ever need.”

   I never really knew what he meant by that, but Lola told me that he loved the goose as much as he loved the family. Our family was big, so I figured that was a lot. In the house lived Lolo and Lola, Mommy, Daddy, Kuya, Ate and me, my Tita Vicky and Nina and our five yayas. My yaya, Rose, would tell me about her gansa – the one in her farm. She said that geese had a painful bite (“But don’t they peck, Yaya?”) and they chase you all around your house (“Well, at least they don’t fly.”) until you fall and eat your eyeballs out. This terrified me, and I did not want to go near the goose. I watched Rose prepare her feed of pechay, papaya and sunflower seeds and would walk with her to the gardens. But I never went near the pond. I was too scared for my eyeballs.

   But still, there was something magical about the goose. I could never really put my finger on it. Perhaps it was the way she spread her wings majestically whenever it rained. There would be typhoons so violent that they would send the windows and the rooftops flying. From my bedroom window, I would watch the storm ravage the flower beds and flood the swimming pool. I was always so afraid that the goose would be blown away. But she wouldn’t. She stood there, wings outstretched as she ran across the gardens with her eyes and her beak shut tight. Ate would laugh and tell me “Tingnan mo o, she wants to fly!”

   “Of course wants to!” My lolo would scoff, as he lit the candles whenever there was a brown out. “She watches the tiny Maya birds fly! Someday, she will too.” Lolo was always defensive about the goose. The Christmas I turned 10, my parents bought us a Pekingese, which tore through the net in the tennis court and shredded all the bougainvilleas. Lolo never got angry, but when the dog chased the goose out of her pond, he forbade all other animals to go past the flowerbeds and the gazebo. “What if she got killed!” he exclaimed. He propped up a garden chair by the pond and stayed there for weeks. Not even the coaxing of Lola or the smell of his favourite bibingka cooking could make him move. “The gardens are my home,” he said, waving her off. I remembered those words when the walls were built.

    I was fourteen years old when they closed up the gardens. I was sitting by the patio when Daddy told me that the men had arrived and I should go back to my room. “What men?” I asked him. I screamed and kicked when he had the maids carry me to my room. He said I was too young to understand. But Mommy told me what had happened. Lolo had lost money. “Lolo had to sell the garndes,” she wept, so that Daddy wouldn’t hear her. I stayed in my room for days and I ordered the maids not to draw the curtains. I did not want to see the lifeless stumps of the mango trees, the barren strips of soil, the demolished gazebo and the tennis court. I stayed wide awake at night, so in the mornings I would sneak into Lola’s room and steal her sleeping pills. I was not allowed to have any of them, but I did not have to hear the sounds of the bulldozers and the drills and the large machines that ate up our gardens.

   The goose was moved to the smaller yard at the other side of the house. Lolo sold the playground and a bunch of other junk to build a small pond for her, but he could not afford the oxygen pipes or the filtration. “It would cost too much,” I overheard him talking to Mommy. His voice sounded like a broken musical box. The pond turned out murky and dull, and as weeks passed, insects and mosquitoes and giant frogs settled around it. I never went near it, but Lolo always did. He pulled up his garden chair and sat there, sometimes for hours, sometimes for days. He would talk to the goose, but I could never hear what he would say.

   That summer, we had to say goodbye to some of our maids, one of them was Rose. I was old enough to take care of myself, Lola told me. I wasn’t really sure if that was the reason, or we couldn’t really pay for their salaries anymore. During those last few days, Rose taught me how to fix my bed and clean my bathroom. The toilet had sprung a leak and the fluorescent light flickered overhead. “Your house is getting old, my bulilit,” she pinched my cheeks and smiled. I could tell that she wanted to cry, because the painful knot in my throat hurt so much too.

   But as fast as it took to break my heart, forgetting about it happened in a blink of an eye. That year, I went to high school. I worked hard, studied well and whenever I would ace a test or brought home a medal, Lolo would reward me with a red envelope with P200 inside. I would stuff the bills into my piggy bank, save up for a night out with my friends. I would spend weekends out of town – sometimes with my friends, other times with my family. “Travel marks no expense!” Dad would tell me. We would book cheap flights abroad and be away for weeks. I would forget about the house, the goose and I would not even remember Lolo, who would stay behind, saying that the goose needed company. “It would get lonely.” The older I got, the more preposterous that excuse seemed.

  How could a goose get lonely anyway? She was a bird, a farm animal, a dense, flapping gansa that had lived all her life in solitude. Whenever Lolo gave us that petty excuse, I would tell Lola or Mom that nobody even really held the goose. The closest anybody in this family ever got to it was watching the maids feed it. Did we even love the goose? “Would it make a difference if it was dead?” I asked my Lolo once, over dinner. He glared at me from his plate and asked me: “Does this family mean anything to you?” We did not speak after that. He still refused to go to trips with us, even to Tagaytay or Baguio. I wished that the goose died, that she choked on her food or drowned in her pond, that a stray cat tore her long, gangly neck apart. Lolo basked, or rather festered –in the ambience of mosquitoes and flies and the slippery moss of her ugly pond. I could not bring myself to understand why.

   “Lolo loves that animal,” explained Lola, her eyes fixated on the television screen. As Lolo grew more and more lost in the mucky pond of the goose, Lola shut herself up in her room, drowning her glassy eyes in wine. Actually, we all did. We bolted the mezzanine, locked the storerooms and the guestrooms. The small yard had grown strewn with weeds, dead bark and centipedes. On the rare moments I would drop by to check on Lolo, who would be lying motionless on his chair, I would find the goose nipping at the wildflowers and the beetles. Each time, I would realize that her feathers had grown yellow and damp; her orange webbed feet had been caked with soil. She’s so old; I would think; then run back to my house and order myself to dismiss such horrid thoughts. I did not want to think about it. There was nothing much to say, really. We had grown accustomed to the quiet, and this was helpful when Lolo died.

   They found him by the pond. He had fallen off his chair. His body was caked in mud and grass. The doctors said he had suffered a stroke – perhaps many, but because he always took himself to solitude, it was nearly impossible for anybody to notice. During the ride home from the wake, Lola explained that during his last few months, Lolo refused to eat or drink anything. He spent all day by the pond and refused to move from his chair. When it rained, he called a maid to stand next to him and hold an umbrella above his head. “Bakit po, sir?” our labandera asked, the first time. Lolo told her: “Kung mamatay ang gansa, gusto kong kasama ako.” That night, when I couldn’t sleep, I walked over to the pond and stared at the goose, who lay next to a rock, sleeping. I hated her. I hated how she took Lolo away from all of us. I opened my mouth to scream, but nothing came out. The morning after, Mom found me curled up in our patio. I never cried so much in my life.

    When Lolo died, the house died with him. Lola took to selling everything – the chandeliers, the paintings, the antique furniture she and Lolo spent all their lives collecting. And if it weren’t for the family portrait hanging on top of the grand piano, Lola would have sold it as well. She spent all her days in the casino, wasting away the remains of their measly fortune. When I complained to Mom that Lola was becoming obsessed, Mom told me that Lola was getting really old. “Well, isn’t everybody?” I yelled back. I wanted to break away from the mess, from the house – which was not so much of a house anymore.

    When I graduated from high school, getting a scholarship to an Ivy League university was the best thing that had happened to me in years. I was always out of the house – fixing my documents, arranging the travel plans, making calls and celebrating despedidas. I was so eager to leave, that when Dad found me packing my bags in my room, he couldn’t help but say: “You’re leaving in two months, Luisa. You must be excited.” He sounded sentimental, and I wanted to hug him and tell him that I was going to miss him and everybody else. But I wasn’t going to lie. When the day finally came and I was saying goodbye to everyone, my sister asked me if I was going to say goodbye to the goose. I pretended not to hear her. I pretended not to hear any of them, their sobs, their sentimental slurring. I would rather not.

    And when I boarded the plane, I realized that I didn’t have to. Not anymore. I watched the city of Manila grow smaller and smaller, until the tall skyscrapers became a maze of tiny pinpricks. The house, the goose, the motionless carcass of Lolo lying against his rotten garden chair – they were all gone. And I was more than happy to forget about them.

   The life I had abroad and the life I had back home in Manila were two different things. I had a dorm, which I shared with two girls, one American and one Italian. We hit it off instantly, and we took road trips to San Francisco and San Jose, trying all sorts of food and drinks, meeting all sorts of people. One of those people was Heath. He was tall, blonde, had a killer smile that made me want to stay in the United States. And so, I made sure that I did. I studied hard, made sure that I had every book memorized, that every test had a big, fat A on it. Mom or Dad would phone once in awhile and sometimes I’d Skype with Kuya and Ate. They told me that my hair was getting wavier, that my skin was growing lighter, that I had an accent.  I told them that everything was great here; I did not bother to ask them how it was back at home. I already knew. Lola was submerged in her wine and her gambling, the house was falling apart, and the goose – maybe she was still alive. I didn’t really care.

    I was twenty-five years old when the goose died.

    I had just arrived back home from work, exhausted from another day of answering telephones and posting reminders on the cubicles of my workmates. I lived in LA at that time, and things were going smoothly. I graduated with top honours, moved in with Heath. We got well-paying, steady jobs, got ourselves a cute apartment and paid the bills. We were even thinking of getting married. I came home once or twice for Christmas, but when I wasn’t back in Manila, I wasn’t thinking of my family, of the house, of the goose. In fact, I did not tell Heath about the goose at all. When he was looking through a box of photos that Mom had sent me, I had to force myself to tell the entire story.

   “That’s just amazing! You know, most people have dogs or cats as pets, but you had a goose!”

   I told him that it was nothing special, that the goose was my grandpa’s pet, not mine. I snatched the box from him and shoved it back into the closet, hoping that we would never have to open it again. We went out for drinks that night. I made sure that I blacked out.

   It was September 5th, three o’ clock in the morning when Mom called me. With eyes still closed, my hand groped around my bedside table for the telephone. It took about seven rings until I was able to close my hand around it, and when I did, the phone went on loudspeaker. “Luisa? L-Luisa?” my mom’s voice was choppy through the receiver. I sat up, eyes wide open and turned the phone back to normal mode. “Mom? Can you hear me?” I whispered.

    The goose died a couple of hours ago, was what she said. Her voice sounded empty on the phone, or maybe that was because I forced myself not to completely listen. I did not want to know the details. Why was she calling me? Why would I care? When I put the phone down a few minutes afterward, I stared into the darkness of my room. For a moment, I pretended that the window was my old window, with satin pink curtains and lace. I walked over to it, hoping to see the gardens – the flowerbeds, the mango trees, the tennis court, the swimming pool, the tall, white gazebo with the pink bougainvilleas. I didn’t.

   I booked a flight to Manila the day after. I left right away, telling Heath and my officemates that I needed to be back with my family for just awhile. “Something came up,” I told them. If said the truth, that it was because an old pet died – I don’t think anybody would believe it. In fact, I couldn’t even believe myself either. I did not even tell my family that I was coming home. Upon boarding the plane, all I could think about was Lolo and how his frail, limp body lay on the old, garden chair. “Don’t you ever forget, Luisa,” he told me that night I wished the goose dead, “The goose comes with the house.”

    When I arrived back home, I couldn’t wait to get back to the house. I was restless, pushing and shoving my through every line. I almost fell over when I reached for my suitcase in the luggage pick-up. I ran towards the airport doors, demanding the fastest taxi driver in the city. I needed to get back to the house in half an hour.

    Ba’t ka nagmamadali?” asked the taxi driver, as we zoomed through the highway.
                                     
    I told him that my lolo died. He built the house that I had lived in most of my life. I told him that my lolo treasured everything about the house – the wide, white walls, the large, red roof, the glossy, silver gate. “At yung mga hardin,” I told the driver. I must have said it five or six times, and each time, I would tell him that I loved running through the flowerbeds with my cousins, going as high as I could in the swing set, jumping into the swimming pool with my pambahay on and Yaya would get so angry. I told him that I loved the house, that you could climb up the mango tree and you wouldn’t realize how big it was. And I couldn’t miss his funeral, because Lolo loved it too.

   When we got to my house, I grabbed my bag, paid the driver and rang the doorbell. Once. Twice. Five more times. Our old labandera was the one who answered the gate. “Bulilit!” she shrieked, enfolding me in her arms. “Lumabas si Mommy at Daddy mo! Kasama sina Ate at Kuya.

   Okay lang, Manang,” I told her. “Nandito lang ako para sa gansa.”

   I rushed past her, took a shortcut and cut to the yard and I saw that the grass was so tall that it reached my knees. Insects flew everywhere – they circled my head, clung to my hair, bit my skin. I felt my palms grow sweaty and my heart race as I approached the pond, which looked the same as I had left it – stagnant, murky, and strewn with water sliders and mosquitoes. The one thing that was different was the small cardboard box by the edge of the pond. I approached it, nervous, my heart slamming against my rib cage. Why was I so nervous? I never loved the animal.

   I peered into the box. Inside was a wilted, pallid creature, looking as stiff and pasty as dried up glue. Its wings, which looked like soggy pieces of soiled cloth, were tucked under its feet, which did not look like feet anymore, but sloppy, browning things that looked damp and crooked. This was not the goose; this was not anybody’s goose! The goose was tall and plump and strutted around the gardens with her wings outstretched and her beak high up in the air. I did not want to believe it.

     I closed my eyes. I did not cry, but I felt like a million strings had been tied up inside me, and some painful, invisible force was pulling and tugging at each of them, over and over, as if forcing me to scream and burst out in tears. But I couldn’t. How – how could I ever love that animal?

    I stumbled back into the house, opened my eyes and saw the house – its yellowing walls, the cracked, marble floors, the aged, old furniture pushed to one corner. I looked up and saw the holes in the ceilings where the chandeliers used to be, the hooks on the walls where the paintings once hung. In my delirium, I wondered whether this was really my house – the house – the one that I had spent so many days of my childhood running around, screaming, being chased after by my cousins, or Yaya or sometimes Lolo, who would find me under the table and coax me out, saying: “Iha, nandito na ang  mga photographers. Won’t you tell them that this is such a beautiful house?”

   In that moment, I turned around saw our family portrait, which hung placidly across a window. I walked over to it and stared at the picture. I did not bother to look at anybody but Lolo, who sat proud and erect on a cushioned armchair. He wore a gray velour suit, and his hair was slicked back behind his ears. On his lap was me, five or six years old, and I suppose the picture would have been perfect if I looked straight at the camera just like everybody else.

    In that moment, I collapsed on the floor and felt the walls of the house close up and consume me.

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Cathy eats too many chocolates for her own good. She is an English staffer of Heights and Workshops Deputy of Writerskill; she owes both the publication and the org the biggest thank you for being one of her biggest inspirations since her freshman year.


The Goose was published in the Heights LX Folio (SY 2012-2013). It was written for her grandfather.

Sand, Heat, and Silver by Ysa Guce


 [for a friend.]

every now and then,
i find myself worrying
that you notice that
i try too hard.

to tell the truth,
for far too long,
i have been trying in vain
to make mirrors –

to balance mountains of sand
on my trembling palms;
my warmth would transform those grains,
liquify them so that they harden
into flat sheets;
and then into those sheets
i would mix slivers of silver
of my own making.

but sand is fragile;
it slips away between my desperate fingers.
my heart ends up begging and
becomes scorching hot
and it’s uncontrollably painful;
the silver i produce
is as fake as the smiles
i smile to try to make you like me more.

the mirrors i tried to make
so that i could see myself in you
and maybe feel better about myself
always break with one glance.

others have it so easy.
effortlessly, they saunter towards you,
their smiles reflected in your actions.

it’s hardly fair.

do you not like me sometimes
because, for you, i try and think
too hard to be somebody i’m not?

how i wish

i could just be me

for you.


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Ysa is a sophomore who constantly attempts to write creatively. She may also be a little too hard on herself sometimes. She owes a lot to her blockmates for helping her realize that writing isn't just something she isn't quite bad at.

I am so good at Chocobo Racing by Izo Lopez

I am so good at Chocobo Racing. You don’t even know how good I am at Chocobo Racing. I am so freaking good at that game.

I am the kind of player who can stay at the center of the road at full speed the entire race. I am so good I never let go of accelerate.

I am so good at Chocobo racing I play Mog. Some pros say Chubby Chocobo is a worse character because of his low acceleration, but he’s got great traction to compensate. Mog is just garbage stats all across the board. I play him though, and win every time.

I play him with the Flap power too. That power is absolutely useless in all possible scenarios. I use it though. With Mog too, and I win every time.

I am so good at Chocobo Racing I made my brother cry. I was just playing against AI but I won so well my bro felt terrible for the AI’s feelings.

I am so good at Chocobo Racing even my dad cried. He said my victory was the most beautiful thing he’d ever seen in his entire life. My mom didn’t even mind that he said that while she was in the room. It was their anniversary too but my mom was crying too because she agreed.

I am so good at Chocobo Racing I played every kid in my school and won. I then called in each of their parents and beat them too. I took on the teachers and the principal too, and that guy was a Grand Prix driver in his youth. I beat them all and they put me in the honor’s list.

I am so good at Chocobo Racing they did a documentary on me titled “Maximum Speed: A Gamer’s Unimaginable Skill”. That wasn’t some local news crap—CNN was in my house and everything. I met Piers Morgan and everything. I beat him too.

I am so good at Chocobo Racing if I played you without holding back, you would lose consciousness for a whole day afterwards. When you wake up, you’ll be shorter a few inches.

If you play me, I’ll win, and then you’ll be fine, go home, live your life as best as you can. You’ll go through a few girlfriends before fidning the love of your life, get married and have a wonderful kid. That kid will be exceptionally brilliant even at a young age and show an interest in classical instruments and geography. At the age of twelve, he will suddenly hate his clarinet and start playing basketball with his friends. You’ll take him to the doctor and the doctor wil ltell you that his IQ is dropping at an alarming rate and soon he’ll be just like every other kid instead of your favored prodigy. You’ll ask the doctor if there’s anything you can do but the doctor will say there is no cure. You’ll wonder why God would give you such a wonderful child only to take his uniqueness away and you’ll ask the doctor what could possibly have caused your firstborn to degrade into mediocrity. He will tell you it’s a rare disease only contractable one way and then he’ll ask you if you ever played Chocobo Racing in your youth and lost particularly badly. Then you’ll know.

You might as well ask the doctor why he’s wearing an eyepatch. He’ll say he went blind several years ago after he watched me play. He’ll say, “if you think I got it bad, you should see the guy he beat. Compared to that guy you got off easy.”

I am so good at Chocobo Racing I was president of a small Middle Eastern country for three weeks. They sent their best against me. The president was so impressed he gave me his job for a while.
I am so good at Chocobo Racing there are moments when I’m playing and the controller will just levitate in front of me. Like for real glowing and shit.

I am so good at Chocobo Racing that I appear in the credits. The game developers have no clue how I got there post-prod, but  now everyone who plays the game will see my name. Also, I played the game designers and beat them all. They used the secret cheats and everythign but it didn’t matter in the end.
I am so good at Chocobo Racing that Shaq challenged me in Shaq VS, and I beat him so bad his hair disappeared not just at that moment but in all moments in the reality timeline. They didn’t even air that episode because it was so humiliating. You should have seen Shaq with corn-rows though. He was so fly with hair, like you don’t even know.

I am so good at Chocobo Racing I have played the Pope. They blessed his controller and prayed the rosary fifty-three times in preparation.  Like Jesus was there and everything. I kid you not, he was there and there was an angelic chorus and the scent of roses and random tongues of flame—the whole freaking shebang. No, The Jesus. As in the actual son of God himself in the flesh coaching the pope over his shoulder going, “Use the fireball JP! The fireball! Goddamn it!”.

I should have gotten a sainthood as was the bet but Jesus said the only way i could be that good was if I’d made some deal with the devil. Man, he knew I was legit but still he wouldn’t give me the sainthood. I’d beaten the devil and that guy was much less of a sore loser I can tell you.

I don’t expect I will die. I can just challenge the reaper to Chocobo Racing. I heard he favors using White Mage but that’s just going to make it tough for him when i choose the Fantasia map.
I am so good at Chocobo Racing nothing I can ever say can come close to describing just how good I am at that game.

Chocobo Racing is my life. It is all I need, and my value in the world is my mastery of it. That’s a lot of value too, because I’m so good at it. It doesn’t even matter that it is an old game that hardly anyone played. I’m just that good that it does matter, and the universe takes notice even though adults do not.


You have to see it to understand. You have to play me to know that I’m not even kidding when I say I’m freaking incredible at Chocobo Racing.



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Izo Lopez, 4 BFA CW. WriterSkill, LitSoc, Sanggu OSG, LIONs. Take with salt, follow @QuoteQuipster.